Photo © President and Fellows of Harvard College
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Photo © President and Fellows of Harvard College
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Identification and Creation

Object Number
2012.207
People
Corita Kent (Sister Mary Corita), American (Fort Dodge, Iowa 1918 - 1986 Boston, Massachusetts)
Title
enriched bread
Classification
Prints
Work Type
print
Date
1965
Culture
American
Persistent Link
https://hvrd.art/o/340684

Physical Descriptions

Technique
Screen print
Dimensions
75.6 × 92.1 cm (29 3/4 × 36 1/4 in.)
Inscriptions and Marks
  • Signed: l.r., in black ink (ball point): Sister Mary Corita
  • inscription: ENRICHED BREAD / WONDER / Great ideas, it has been said, come into the world as gently as doves. Perhaps then, if we listen attentively, we shall hear, amid the uproar of empires and nations, a faint flutter of wings, the gentle stirring of life and hope. Some will say this hope lies in a nation; others in a man. I believe rather that it is awakened, revived, nourished by millions of solitary individuals whose deeds and works everyday negate frontiers and the crudest implications of history. As a result, there shines forth fleetingly the ever threatened truth that each and every man, on the foundation of his own sufferings and joys, builds for all. Camus / Help build strong bodies 12 ways sTANDARD LARGE LOAF no preservatives added
  • inscription: On verso, l.l.: 65-2

Provenance

Recorded Ownership History
Corita Art Center, Los Angeles, CA, sold; to the Harvard Art Museums, 2012.

State, Edition, Standard Reference Number

Standard Reference Number
Corita Art Center Cat. #65-02

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Margaret Fisher Fund
Copyright
© Courtesy of the Corita Art Center, Immaculate Heart Community, Los Angeles / Artists Rights Society (ARS), New York
Accession Year
2012
Object Number
2012.207
Division
Modern and Contemporary Art
Contact
am_moderncontemporary@harvard.edu
Permissions

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Publication History

  • Susan Dackerman, ed., Corita Kent and the Language of Pop, exh. cat., Harvard Art Museums (Cambridge, MA, 2015), pp. 174-176, cat. 45, ill. (color)
  • Jennifer Quick, Back to the Drawing Board: Ed Ruscha, Art, and Design in the 1960s, Yale University Press (New Haven and London, 2022), pp. 77-78, fig. 56, ill. (color)

Exhibition History

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu