1926.33.177: Santa Maria Novella, Florence, Italy
Drawings
This object does not yet have a description.
Identification and Creation
- Object Number
- 1926.33.177
- People
-
Henry Roderick Newman, American (Easton NY 1843 - 1917 Florence Italy)
- Title
- Santa Maria Novella, Florence, Italy
- Classification
- Drawings
- Work Type
- drawing
- Date
- 1884
- Culture
- American
- Persistent Link
- https://hvrd.art/o/306400
Physical Descriptions
- Medium
- Watercolor over graphite on off-white wove paper
- Dimensions
-
64.8 × 78.5 cm (25 1/2 × 30 7/8 in.)
frame: 95.9 × 110 × 8.6 cm (37 3/4 × 43 5/16 × 3 3/8 in.) - Inscriptions and Marks
-
- Signed: brown ink, l.l.: H R Newman 1884
- exhibition label: backing board, paper: no. 087 [Lure of Italy exhibition]
- inscription: verso: [no inscriptions]
Provenance
- Recorded Ownership History
- Purchased from the artist by Denman W. Ross, Cambridge, MA, 1884; his gift to the Fine Arts Department, Harvard University, 1926; transferred to Fogg Art Museum, 1926.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Transfer from the Fine Arts Department, Harvard University
- Accession Year
- 1926
- Object Number
- 1926.33.177
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
Publication History
- H. Buxton Forman, An American Studio in Florence, The Manhattan (New York, NY, June 1884), v. 3, no. 6, pp. 525-39, pp. 529, 537, repro.
- Kent Ahrens, "Pioneer Abroad: Henry R. Newman (1843-1917), Watercolorist and Friend of Ruskin.", The American Art Journal (New York, NY, November 1976), pp. 85-98., pg. 90, fig. 5, repro.
- Linda S. Ferber and William H. Gerdts, The New Path: Ruskin and the American Pre-Raphaelites, exh. cat., Brooklyn Museum (Brooklyn, NY, 1985), under no. 61
- Theodore E. Stebbins, Jr., William H. Gerdts, Erica E. Hirshler, Fred Licht, and William L. Vance, The Lure of Italy: American Artists and the Italian Experience, 1760-1914, exh. cat., Museum of Fine Arts, Boston / Harry N. Abrams, Inc. (Boston, MA and New York, NY, 1992), pp. 349-350, cat. 87, ill.
- Royal W. Leith, Ruskin and his American Followers in Tuscany: A Historical Study, Brentham Press (St. Albans,UK, 1994), p. 10, n. 34, pl. 7
- Royal W. Leith, A Quiet Devotion: The Life and Work of Henry Roderick Newman, exh. cat., Jordan-Volpe Gallery, Inc. (New York, NY, 1996), p. 36, reproduced in b/w as fig. 38
- Allen Staley, Christopher Newall, Alison Smith, Ian Warrell, and Tim Batchelor, Pre-Raphaelite Vision: Truth to Nature, exh. cat., Tate Gallery Publishing Limited (New York, NY, 2004), pg. 131
- Theodore E. Stebbins, Jr. and Susan C. Ricci, "The Last Ruskinians", American Art Review (March -April 2007), XIX, no. 2, pp. 80-89, repr. p. 85
- Theodore E. Stebbins, Jr., Virginia Anderson, Melissa Renn, and Susan C. Ricci, The Last Ruskinians: Charles Eliot Norton, Charles Herbert Moore, and Their Circle, exh. cat., Harvard University Art Museums (Cambridge, MA, 2007), pp. 78-79, 95, pl. 36
- Theodore E. Stebbins, Jr., Virginia Anderson, and Kimberly Orcutt, ed., American Paintings at Harvard, Volume Two, Paintings, Drawings, Pastels and Stained Glass by Artists Born 1826-1856, Harvard Art Museums and Yale University Press (U.S.) (Cambridge, MA and New Haven, CT, 2008), p. 260, cat. 273, ill.
- Kathleen A. Foster, American Watercolor in the Age of Homer and Sargent, exh. cat., Philadelphia Museum of Art (Philadelphia, 2017), p. 71, fig. 60
- Joachim Homann, Margaret Morgan Grasselli, and Miriam Stewart, ed., American Watercolors, 1880–1990: Into the Light, exh. cat., Harvard Art Museums (Cambridge, 2023), repr. as pl. 2 on p. 71
Exhibition History
- Exhibition of Works by Henry Roderick Newman, Museum of Fine Arts, Boston, Boston, 01/01/1885 - 12/31/1885
- The Lure of Italy: American Artists and the Italian Experience, 1760-1914, Museum of Fine Arts, Boston, Boston, 09/16/1992 - 12/13/1992; Cleveland Museum of Art, Cleveland, 02/03/1993 - 04/11/1993; The Museum of Fine Arts, Houston, Houston, 05/16/1993 - 08/08/1993
- The Last Ruskinians: Charles Eliot Norton, Charles Herbert Moore, and Their Circle, Harvard University Art Museums, Fogg Art Museum, Cambridge, 04/07/2007 - 07/08/2007
- American Watercolor in the Age of Homer and Sargent, Philadelphia Museum of Art, Philadelphia, 03/01/2017 - 05/14/2017
- American Watercolors, 1880–1990: Into the Light, Harvard Art Museums, Cambridge, 05/20/2023 - 08/13/2023
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu