1996.15: Store Poster with Cake, Pie, and Bread; verso: Muffin and Cherry Pie
Drawings
This object does not yet have a description.
Identification and Creation
- Object Number
- 1996.15
- People
-
Claes Oldenburg, American (Stockholm, Sweden 1929 - 2022 New York, New York)
- Title
- Store Poster with Cake, Pie, and Bread; verso: Muffin and Cherry Pie
- Classification
- Drawings
- Work Type
- drawing
- Date
- 1961
- Culture
- American
- Persistent Link
- https://hvrd.art/o/305402
Physical Descriptions
- Medium
- Monotype on off-white wove paper; verso: watercolor, oil pastel(?), and graphite
- Technique
- Monotype
- Dimensions
- 50.6 × 65.9 cm (19 15/16 × 25 15/16 in.)
- Inscriptions and Marks
-
- Signed: on recto, l.r., in graphite: CO 61
- inscription: "lettering" on recto: MY STORE; PIE $150; LOAF $125; cake; 107 E 2ND
Provenance
- Recorded Ownership History
-
Private Collector. [Paula Cooper Gallery, New York, New York]. [G. W. Einstein Company, Inc., New York, New York], sold; to Harvard University Art Museums, 1996.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Margaret Fisher Fund
- Copyright
- © Claes Oldenburg
- Accession Year
- 1996
- Object Number
- 1996.15
- Division
- Modern and Contemporary Art
- Contact
- am_moderncontemporary@harvard.edu
- Permissions
-
The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
Publication History
- Harvard University Art Museums, Harvard University Art Museums Annual Report 1995-96, Harvard University Art Museums Bulletin (Cambridge, MA, Summer 1997), vol. V, no. 3, p. 16, ill.
- Modern Art at Harvard, exh. cat., Nihon Keizai Shimbun, Inc. (Tokyo, Japan, 1999), cat. no. 79, repr. (both sides in color)
- James Harper, Verso: The Flip Side of Master Drawings, exh. cat., Harvard University Art Museums (Cambridge, MA, 2001), cat. no. 30, repr. (recto and verso [verso in color]), p. 18
- Susan Dackerman, ed., Corita Kent and the Language of Pop, exh. cat., Harvard Art Museums (Cambridge, MA, 2015), pp. 40-42, cat. 3, ill. (color)
- Joachim Homann, Margaret Morgan Grasselli, and Miriam Stewart, ed., American Watercolors, 1880–1990: Into the Light, exh. cat., Harvard Art Museums (Cambridge, 2023), repr. as pl. 67 on p. 138 (verso)
Exhibition History
- Modern Art at Harvard, Bunkamura Museum of Art, Tokyo, 07/31/1999 - 09/26/1999; Takamatsu City Museum of Art, Kagawa, 10/09/1999 - 11/14/1999; Matsuzakaya Art Museum, Nagoya, 12/02/1999 - 12/27/1999; Oita City Museum, Oita, 01/06/2000 - 02/06/2000; Museum of Modern Art, Ibaraki, Ibaraki, 02/11/2000 - 03/26/2000
- Verso: The Flip Side of Master Drawings, Harvard University Art Museums, Cambridge, 05/19/2001 - 08/12/2001
- Re-View: S426A (Large Niche) HAA175w Pop Art, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 01/15/2010 - 03/14/2010
- Corita Kent and the Language of Pop, Harvard Art Museums, Cambridge, 09/03/2015 - 01/03/2016; San Antonio Museum of Art, San Antonio, 02/13/2016 - 04/13/2016
- American Watercolors, 1880–1990: Into the Light, Harvard Art Museums, Cambridge, 05/20/2023 - 08/13/2023
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu