2023.501.26: Pin with Head in the Shape of a Ridged Seedpod
JewelryIdentification and Creation
- Object Number
- 2023.501.26
- Title
- Pin with Head in the Shape of a Ridged Seedpod
- Classification
- Jewelry
- Work Type
- pin
- Date
- 9th-8th century BCE
- Places
-
Creation Place: Ancient & Byzantine World, Asia, Luristan (Iran)
Find Spot: Middle East, Iran, Western Iran - Period
- Iron Age II-III
- Culture
- Iranian
- Persistent Link
- https://hvrd.art/o/303895
Physical Descriptions
- Medium
- Arsenical bronze
- Technique
- Cast, lost-wax process
- Dimensions
- 17.6 x 1.6 cm (6 15/16 x 5/8 in.)
- Technical Details
-
Chemical Composition: ICP-MS/AAA data from sample, Arsenical Bronze:
Cu, 93.29; Sn, 1.67; Pb, 0.38; Zn, 0.005; Fe, 1.29; Ni, 0.08; Ag, 0.1; Sb, 0.08; As, 3.11; Bi, less than 0.025; Co, less than 0.01; Au, less than 0.01; Cd, less than 0.001
J. RiedererTechnical Observations: The patinas of these pins (162.1972, 163.1972, 165.1972, 166.1972, and 2004.197) are green or dark green with areas of red. Some burial accretions are present, as are striations and some abrasion marks from cleaning.
Although there is no evidence of mold marks, it is likely that the wax models for these pins were made using a mold to create the spherical finials and the shaft of the pin. The finer incised lines appear soft in shape and were made working directly in the wax models. The ring loop on 163.1972 appears as a soft-shaped circle, probably formed by hand and attached to the wax model. Although the tapered length of the shafts could have been entirely cast in the bronze, it is possible that the taper was refined by hammering in the metal casts.
Henry Lie (submitted 2011)
Provenance
- Recorded Ownership History
- Kurt H. Weil, Montclair, NJ (1927-1992), by descent; to Kathleen Weil-Garris Brandt, New York (1992-2023), gift; to the Harvard Art Museums.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Gift of Professor Kathleen Weil-Garris Brandt
- Accession Year
- 2023
- Object Number
- 2023.501.26
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
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Descriptions
Published Catalogue Text: Ancient Mediterranean and Near Eastern Bronzes at the Harvard Art Museums
This unusually massive pin has a rounded shaft tapering to a point. Three ribs of increasing size form the transition from the shaft to the finial. The latter takes the shape of a squat seedpod with a plain, circular cap. Incised vertical lines create ridges on the pod, and the fairly wide upper part of the shaft is incised with a zigzag and two horizontal lines below.
This group of pins acquired in Luristan is inspired by plant motifs (162.1972, 163.1972, 165.1972, and 166.1972). Three pin heads are more or less explicitly in the shape of poppy seedpods, while the fourth looks like a bud. The shafts of two of the pins are decorated with raised bands encircled by incised lines that similarly occur on many Luristan bronze objects. A large number of such floral pins were excavated in the building complex at Surkh Dum, which is generally interpreted as a sanctuary. This suggests that these pins were used in Luristan during Iron Age II and early Iron Age III (the ninth to eighth centuries BCE) (1). But there are no exact parallels for this pin among those from Surkh Dum (2).
NOTES:
1. See E. F. Schmidt, M. N. van Loon, and H. H. Curvers, The Holmes Expedition to Luristan (Chicago, 1989) 268-69 and 301-306 (27D.12-14), pls. 168-70. Compare also P. R. S. Moorey, Catalogue of the Ancient Persian Bronzes in the Ashmolean Museum (Oxford, 1971) 188-89, nos. 297-300, pl. 48.
2. Compare Moorey 1971 (supra 1) 185, no. 287, pl. 46.
Susanne Ebbinghaus
Subjects and Contexts
- Ancient Bronzes
Related Objects
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu