1953.2: Waterfall with a Half-Timbered House and Castle
PaintingsGallery Text
Jacob van Ruisdael was the most innovative and versatile Dutch landscapist of the seventeenth century. In the 1660s, he painted a number of vertically oriented landscapes with waterfalls that evoke a Scandinavian wilderness. Although Dutch merchants acquired raw materials — timber for shipbuilding and iron ore for munitions — from Norway and Sweden, to most residents of the Low Countries the terrain depicted here must have looked strange and forbidding. Ruisdael never visited Scandinavia, but invented these views based on his knowledge of works by Allart van Everdingen, an artist who had traveled in Sweden and Norway in 1644 and made a career of depicting Nordic scenery.
Identification and Creation
- Object Number
- 1953.2
- People
-
Jacob van Ruisdael, Dutch (Haarlem 1628/29 - 1682 Amsterdam)
- Title
- Waterfall with a Half-Timbered House and Castle
- Other Titles
- Alternate Title: A Waterfall with a Castle and a Cottage
- Classification
- Paintings
- Work Type
- painting
- Date
- c. 1665-1670
- Places
- Creation Place: Europe, Netherlands
- Culture
- Dutch
- Persistent Link
- https://hvrd.art/o/299988
Location
- Location
-
Level 2, Room 2300, European Art, 17th–19th century, Seventeenth–Century Dutch and Flemish Art
Physical Descriptions
- Medium
- Oil on canvas
- Dimensions
-
99.7 x 86.4 cm (39 1/4 x 34 in.)
frame: 128.5 x 118 cm (50 9/16 x 46 7/16 in.) - Inscriptions and Marks
-
- Signed: on a rock l.r. J v.Ruisdael
Provenance
- Recorded Ownership History
-
Possibly [Gimpel & Wildenstein, New York]. Edward Rathbone Bacon (after 1890) (1), by descent; to Virginia Purdy Bacon (2), sold; to Henry Clay Frick (1918?), by descent; to Adelaide Frick (Mrs. Henry Clay Frick), New York (1919) by descent; to Miss Helen Clay Frick, New York (1931) gift; to Fogg Art Museum, 1953.
Notes:
1. Started buying Flemish, Dutch and English art c. 1890.
2. Mrs. Walter Rathbone Bacon (d. 1919) was the sister-in-law of Edward R. Bacon.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Gift of Helen Clay Frick
- Accession Year
- 1953
- Object Number
- 1953.2
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
Publication History
- William Hayes Ackland Memorial Art Center, Paintings, Drawings, Prints and Sculpture from American College and University Collections: Inaugural Exhibition, exh. cat. (Chapel Hill, NC, 1958), cat. no. 53, repr.
- Wolfgang Stechow, Dutch Landscape Painting of the Seventeenth Century, Phaidon (London, England, 1966), p. 145 and repr. as fig. 288
- Paintings, Drawings, and Sculpture from the Fogg Art Museum, Harvard University, exh. cat., Yale University Art Gallery (New Haven, 1967)
- Paula DeCristofaro and James Swope, "Technical Analysis of the Materials and Methods of Jacob van Ruisdael" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, July 1982), Unpublished, pp. 1-31 passim
- Kristin A. Mortimer and William G. Klingelhofer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums and Abbeville Press (Cambridge and New York, 1986), no. 192, p. 168, repr.
- Thomas Bredsdorff, Et landskab af naturen malet: En tese om malernes natur, Kritik (Copenhagen, 1987), vol. 20, no. 79/80, pp. 56-70, pp. 59-61, repr. p. 61
- Jean-Philippe Domecq, Ruisdael Ciel Ouvert, Editions Adam Biro (Paris, France, 1989), p. 123, repr. p. 100, no. 46
- Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum: A Summary Catalogue including Paintings in the Busch-Reisinger Museum, Harvard University Art Museums (Cambridge, MA, 1990), p. 54, color plate; pp. 128, 189, repr. b/w cat. no. 161
- Masterpieces of world art : Fogg Art Museum, Arthur M. Sackler Museum, Busch-Reisinger Museum, 1997
- Martha Frick Symington Sanger, Henry Clay Frick, An Intimate Portrait, Abbeville Press (New York, NY, 1998), pp.115, 119, fig. 2-28, repr. in b/w
- Seymour Slive, Jacob van Ruisdael: A Complete Catalogue of His Paintings, Drawings and Etchings, Yale University Press (New Haven and London, 2001), cat. no. 166, repr.
- Seymour Slive, Jacob van Ruisdael: Master of Landscape, exh. cat., Royal Academy of Arts (London, England, 2005), no. 33, pp. 110-111, repr. in color; p. 9
- Greg Harris, Jacob van Ruisdael: Master of Landscape, brochure, Royal Academy of Arts (London, 2005), pp. 17-18, ill. p. 17 as no. 33
- Alberto de Andrés, Alpine Views: Alexandre Calame and the Swiss Landscape, exh. cat., Sterling and Francine Clark Art Institute/Yale University Press (Williamstown,MA, New Haven and London, 2006), p. 23, ill. fig. 4
- Old Masters, auct. cat., Christie's, London (London, December 3, 2019), p. 106
Exhibition History
- Inaugural Exhibition, William Hayes Ackland Memorial Art Center, Chapel Hill, 09/20/1958 - 10/20/1958
- Paintings, Drawings, Sculpture from the Fogg Art Museum, Harvard University, Yale University Art Gallery, New Haven, 10/12/1967 - 12/03/1967
- From El Greco to Pollock, Baltimore Museum of Art, Baltimore, 10/22/1968 - 12/08/1968
- Masterpieces of European Art, Busch-Reisinger Museum, Cambridge, 06/22/1985 - 09/15/1985
- Jacob van Ruisdael: Master of Landscape, Los Angeles County Museum of Art, Los Angeles, 06/26/2005 - 09/18/2005; Philadelphia Museum of Art, Philadelphia, 10/23/2005 - 02/05/2006; Royal Academy of Arts, London, 02/25/2006 - 06/04/2006
- Re-View: S424-426 Western Art from 1560 to 1900, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 08/16/2008 - 06/18/2011
- Ancient to Modern, Harvard Art Museums, Cambridge, 01/31/2012 - 06/01/2013
- 32Q: 2300 Dutch & Flemish, Harvard Art Museums, Cambridge, 11/16/2014 - 09/08/2017; Harvard Art Museums, Cambridge, 01/17/2018 - 09/25/2019; Harvard Art Museums, Cambridge, 10/01/2019 - 01/01/2050
Subjects and Contexts
- Google Art Project
Related Objects
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu