1954.5: Fame Carrying a Portrait of Cardinal Mazarin
Drawings
This object does not yet have a description.
Identification and Creation
- Object Number
- 1954.5
- People
-
Charles Le Brun, French (Paris 1619 - 1690 Paris)
- Title
- Fame Carrying a Portrait of Cardinal Mazarin
- Other Titles
- Alternate Title: Fame with a Portrait of Cardinal Mazarin
- Classification
- Drawings
- Work Type
- drawing
- Date
- 17th century
- Culture
- French
- Persistent Link
- https://hvrd.art/o/297120
Physical Descriptions
- Medium
- Black and red chalk with gray wash on cream antique laid paper, framing lines in brown ink and black chalk, partially incised, verso reddened for transfer
- Dimensions
- 18.6 x 20.5 cm (7 5/16 x 8 1/16 in.)
- Inscriptions and Marks
-
- inscription: verso, lower right, black chalk: Puget
- inscription: in drawing, on flag, upper right, black chalk: ELOGII / DEL / CARDINAL / MAZARINI
- watermark: none
- inscription: on small tab, lower right, black ink over graphite: vy. [illegible]
Provenance
- Recorded Ownership History
- John Thane, London (his mark L.1544, lower left); William Young Ottley, London (his mark, L.2665, mount, lower right); Castano Gallery, Boston, sold; to Harvard Art Museum/Fogg Museum, William C. Heilman Fund, 1954.5
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, William C. Heilman Fund
- Accession Year
- 1954
- Object Number
- 1954.5
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
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Publication History
- Pierre Rosenberg, "Review: Le Brun at Versailles", Master Drawings, Master Drawings Association (New York, 1963), vol. 1, no. 3, Autumn, pp. 54-56, 98-99, p. 55
- Pierre Rosenberg, French Master Drawings of the 17th & 18th Centuries in North American Collections / Dessins français du 17ème & du 18ème siècles des collections américaines, exh. cat., Secker & Warburg (London, 1972-1973), p. 174
- Konrad Oberhuber, European Master Drawings of Six Centuries from the Collection of the Fogg Art Museum, exh. cat., National Museum of Western Art (Tokyo, 1979), cat. no. 64, n.p.
- Hilliard T. Goldfarb, From Fontainebleau to the Louvre: French Drawing from the Seventeenth-Century, exh. cat., Cleveland Museum of Art/Indiana University Press (Cleveland, 1989), cat. no. 102, pp. 200-201
- Véronique Meyer, L'œuvre gravé de Gilles Rousselet: graveur parisien du XVIIe siècle, Commission des Travaux Historiques de la Ville de Paris (Paris, 2004), pp. 296-98
- Alvin L. Clark, Jr. and Edouard Kopp, French Drawings from the Age of Claude, Poussin, Watteau, and Fragonard: Highlights from the Collection of the Harvard Art Museums, Harvard Art Museums (Cambridge, MA, 2022), cat. no. 30, repr.
Exhibition History
- European Master Drawing of Six Centuries from the Collection of the Fogg Art Museum, National Museum of Western Art, Tokyo, 11/03/1979 - 12/16/1979
- From Fontainebleau to the Louvre: French Drawings from the 17th Century, Cleveland Museum of Art, Cleveland, 12/13/1989 - 01/28/1990; Harvard University Art Museums, Cambridge, 02/24/1990 - 04/08/1990; National Gallery of Canada, Ottawa, 05/06/1990 - 06/17/1990
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu