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Identification and Creation

Object Number
1926.33.36
People
Charles Herbert Moore, American (New York, NY 1840 - 1930 Harley Witney, Hampshire, England)
After Vittore Carpaccio, Italian (Venice, Italy 1460 - 1526 Venice, Italy)
Title
Study of the Head of the Sleeping Saint Ursula, after Carpaccio, in the Academy of Venice
Classification
Paintings
Work Type
painting
Date
1877-1878
Places
Creation Place: North America, United States
Culture
American
Persistent Link
https://hvrd.art/o/231694

Physical Descriptions

Medium
Oil on canvas
Dimensions
36.8 x 41 cm (14 1/2 x 16 1/8 in.)
Inscriptions and Marks
  • stamp: back of stretcher, ink, stamped: Pietro Biasutti / Salizzada S. Luca, 4153 / Venezia

Provenance

Recorded Ownership History
Fine Arts Department, Harvard University, Cambridge, MA; transferred to the Fogg Art Museum, 1926.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Transfer from the Fine Arts Department, Harvard University
Accession Year
1926
Object Number
1926.33.36
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Descriptions

Description
Copy after detail of "The Legend of Saint Ursula: Saint Ursula's Dream," in the Gallerie dell'Accademia, Venice.

Publication History

  • Charles Herbert Moore, Catalogue, with Notes, of Studies and Fac-similes from Examples of the Works of Florence and Venice; and of Fac-similes and Original Works to be Used as Exercises in Drawing, Belonging to the Fine Arts Department of Harvard University, exh. cat. (Cambridge, MA, 1878), p. 11-12, cat. 8
  • Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum: A Summary Catalogue including Paintings in the Busch-Reisinger Museum, Harvard University Art Museums (Cambridge, MA, 1990), p. 101, not repr.
  • Theodore E. Stebbins, Jr., William H. Gerdts, Erica E. Hirshler, Fred Licht, and William L. Vance, The Lure of Italy: American Artists and the Italian Experience, 1760-1914, exh. cat., Museum of Fine Arts, Boston / Harry N. Abrams, Inc. (Boston, MA and New York, NY, 1992), p. 389
  • Theodore E. Stebbins, Jr., Virginia Anderson, Melissa Renn, and Susan C. Ricci, The Last Ruskinians: Charles Eliot Norton, Charles Herbert Moore, and Their Circle, exh. cat., Harvard University Art Museums (Cambridge, MA, 2007), p. 47, fig. 16
  • Theodore E. Stebbins, Jr., Virginia Anderson, and Kimberly Orcutt, ed., American Paintings at Harvard, Volume Two, Paintings, Drawings, Pastels and Stained Glass by Artists Born 1826-1856, Harvard Art Museums and Yale University Press (U.S.) (Cambridge, MA and New Haven, CT, 2008), p. 247, cat. 227
  • Paul Tucker, ed., Guide to the Principal Pictures in the Academy of Fine Arts at Venice: A Critical Edition, with Other Texts on Carpaccio and Venetian Painting, Edizioni Ca'Foscari and Venice University Press (Venice, 2023), pp. 28-29, repr. as fig. 5

Exhibition History

  • Studies and Fac-similes from Examples of the Works of Florence and Venice..., Harvard Art Club, Cambridge, 12/01/1878 - 12/31/1878
  • 32Q: 3620 University Study Gallery, Harvard Art Museums, Cambridge, 08/31/2024 - 01/05/2025

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Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu