1938.124: Fresco from S. Pedro de Arlanza Chapterhouse
Paintings
This object does not yet have a description.
Identification and Creation
- Object Number
- 1938.124
- People
-
Unidentified Artist
- Title
- Fresco from S. Pedro de Arlanza Chapterhouse
- Classification
- Paintings
- Work Type
- painting
- Date
- 12th-13th century
- Culture
- Spanish
- Persistent Link
- https://hvrd.art/o/230535
Physical Descriptions
- Medium
- Fresco transferred to canvas
- Technique
- Fresco painting
- Dimensions
-
stretcher: 210.3 x 280.9 cm (82 13/16 x 110 9/16 in.)
frame: 234.95 x 304.8 cm (92 1/2" x 120" in.)
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Alpheus Hyatt Purchasing Fund, William M. Prichard Fund, Francis H. Burr Memorial Fund
- Accession Year
- 1938
- Object Number
- 1938.124
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
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Publication History
- Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum: A Summary Catalogue including Paintings in the Busch-Reisinger Museum, Harvard University Art Museums (Cambridge, MA, 1990)
- Walter Cahn, "The Frescoes of San Pedro de Arlanza", The Cloisters: Studies in Honor of the Fiftieth Anniversary, The Metropolitan Museum of Art and The International Center of Medieval Art (1992), pp. 86-109, pp. 90-91, 93, 95, 99, repr. as fig. 4, 17, 18, and 19
- Jordi Camps i Soria, El esplendor del Románico: Obras maestras del Museu Nacional d'Art de Catalunya, exh. cat., Museu Nacional d'Art de Catalunya (Madrid, 2011), p. 106
- María José Martínez Ruiz, "La venta y el expolio del patrimonio románico de Castilla y León: el caso de las pinturas murales", La diáspora del románico hispano: de la protección al expolio, Fundación Santa María la Real (Palencia, 2013), pp. 13-57
- Immaculada Socias Batet, "La venda de les pintures medievals de la Torre del Tesoro de San Pedro de Arlanza: un negoci?", Locus Amoenus (2020), pp. 203-222
Verification Level
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu