1973.10: Woman Harvesting Vegetables
PaintingsA woman stands among rows of plants. She wears a blue top, red skirt, and wide-brimmed straw hat. She bends completely over from the waist with her hands in the row of plants below her. Her posture places the top of her hat fully facing the viewer. A brown wicker basket sits on the ground. Behind the woman on the left, a figure in a wide-brimmed hat and loose blue dress leans against a tree. The painting technique consists of concentrated dots of color that give the scene a mottled appearance and emphasize the highlight of the sun on surfaces.
Gallery Text
In the early 1890s, Cross adopted the distinctive “pointillist” style of the neo-impressionist movement, producing brilliantly colored views of the landscape along the Mediterranean in the south of France. Sketches like these, roughly painted on thin, unprimed wood, allowed him to experiment with composition and color arrangements in preparation for his canvases. Easily portable, the lightweight panels were designed to fit into standard paint boxes.
These small studies are related to finished paintings, each offering an intimate detail of what would become a much larger work. Cross’s pointillist technique can best be seen in "Seascape," in which the regularized strokes create the striated colors and reflections of the evening sky. Dappled white and blue dots delineate the interlaced trees and glittering water. Cross was enraptured with the Mediterranean light, which he described as “bathing all things in its radiance.”
[1937.9, 1937.10, 1937.11]
Identification and Creation
- Object Number
- 1973.10
- People
-
Henri-Edmond Cross, French (Douai, France 1856 - 1910 Saint-Clair, France)
- Title
- Woman Harvesting Vegetables
- Classification
- Paintings
- Work Type
- painting
- Date
- c. 1892
- Culture
- French
- Persistent Link
- https://hvrd.art/o/227496
Location
- Location
-
Level 2, Room 2100, European and American Art, 17th–19th century, Centuries of Tradition, Changing Times: Art for an Uncertain Age
View this object's location on our interactive map
Physical Descriptions
- Medium
- Oil on panel
- Dimensions
- 13.65 x 14.29 cm (5 3/8 x 5 5/8 in.)
- Inscriptions and Marks
-
- Signed: l.r.: H.E.C. [estate stamp]
Provenance
- Recorded Ownership History
- Sold [through the artist's estate sale, 1910]; to Mme. Theo van Rysselberge; to Marie Closset (pen name Jean Dominique); to May Sarton, gift; to Fogg Art Museum, 1973
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Gift of May Sarton
- Accession Year
- 1973
- Object Number
- 1973.10
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
Publication History
- Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum: A Summary Catalogue including Paintings in the Busch-Reisinger Museum, Harvard University Art Museums (Cambridge, MA, 1990), p. 104; repr. as no. 407
Exhibition History
- 32Q: 2100 19th Century, Harvard Art Museums, Cambridge, 10/31/2019 - 01/01/2050
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu