Incorrect Username, Email, or Password
This object does not yet have a description.

Identification and Creation

Object Number
R222NA
People
James Abbott McNeill Whistler, American (Lowell, MA 1834 - 1903 London, England)
Title
Thames Warehouses
Other Titles
Series/Book Title: A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects, 1871
Classification
Prints
Work Type
print
Date
1859
Places
Creation Place: North America, United States
Culture
American
Persistent Link
https://hvrd.art/o/249995

Physical Descriptions

Technique
Etching and drypoint
Dimensions
plate: 7.7 x 20.3 cm (3 1/16 x 8 in.)
Inscriptions and Marks
  • Signed: butterfly insignia and in plate, lower right: Whistler 1859
  • inscription: lower left corner, graphite, handwritten: title: Thames Warehouses
  • inscription: lower margin, left of center, graphite, handwritten, signed, in artist's hand: Whistler's insignia as designer and imprimateur: butterfly imp.
  • inscription: yes, in plate, lower right, ink, impression, signed, in artist's hand: signature, date: Whistler 1859

Provenance

Recorded Ownership History
H. Wunderlich and Co., New York, NY, USA, Sold to Fogg Art Museum, 1896.

State, Edition, Standard Reference Number

State
ii/ii
Standard Reference Number
K. 38; Wed. 35; Lochnan p. 76

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, John Witt Randall Fund
Object Number
R222NA
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Publication History

  • Emma Chambers, An Indolent and Blundering Art?: The Etching Revival and the Redefinition of Etching in England, 1838-1892, Ashgate Publishing (Aldershot, England, 1999), repr. as fig. 5.3 on p. 136 [not Harvard impression; related bibliography]

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu