Harvard Art Museums > 1999.31: Seated Female Nude Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Seated Female Nude (Louis Chéron) , 1999.31,” Harvard Art Museums collections online, Apr 18, 2024, https://hvrd.art/o/212361. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1999.31 People Louis Chéron, French (Paris 1660 - 1725 London) Title Seated Female Nude Classification Drawings Work Type drawing Date 17th-18th century Culture French Persistent Link https://hvrd.art/o/212361 Physical Descriptions Medium Black and white chalk on tan antique laid paper Dimensions 60.3 x 44.2 cm (23 3/4 x 17 3/8 in.) Inscriptions and Marks inscription: none watermark: three moons Provenance Recorded Ownership History Paul Weis, New York, sold; to Jeffrey E. Horvitz, Boston, 1998, gift; to Harvard University Art Museums, 1999, inv. no. 1999.31 Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Gift of Jeffrey E. Horvitz Accession Year 1999 Object Number 1999.31 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Alvin L. Clark, Jr., Barbara Brejon de Lavergnée, Jean-Francois Méjanès, Alain Mérot, Margaret Morgan Grasselli, Sophie Raux-Carpentier, William W. Robinson, Marianne Roland Michel, and Pierre Rosenberg, Mastery & Elegance: Two Centuries of French Drawings from the Collection of Jeffrey E. Horvitz, exh. cat., ed. Alvin L. Clark, Jr., Harvard University Art Museums (Cambridge, 1998), cat. no. A.73, p. 413 Alvin L. Clark, Jr., "A Self-Proclaimed Student of Raphael and Giulio: Louis Chéron as a Draftsman", Festschrift für Konrad Oberhuber, ed. Achim Gnann, Electa (Milan, 2000), pp. 345-51, pp. 347-48, fig. 4, repr. Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu
