Your Collection

Add this item to your collection
Harvard Art Museums
Incorrect Username, Email, or Password
A blue-green bronze blade that is narrow with a straight, narrow handle with a sculpted form at the end. A thin line runs through the center of the blade. The entire piece is flat with some texture from wear along the tip and handle end.

A blue-green bronze blade that is narrow with a straight, narrow handle with a sculpted form at the end. It is shown horizontally on a grey background with the tip of the blade pointing to the right. A thin line runs through the center of the blade. A small piece protrudes out from where the blade and handle meet. The form at the end of the handle consists of a line of four small holes that diagonally go down, a line that curves out to the right in a half-oval shape, and a small blade-like line inside the curve. The entire piece is flat with some texture from wear along the tip and handle end.

Gallery Text

Although there are no contemporaneous records explaining the meaning of the decorations on Shang bronzes, the preponderance of zoomorphic motifs and the emergence of animal-shaped vessels made of bronze or jade are clear indications of the importance of animals in the repertoire of Shang artisans. The principle Shang motif was the animal mask, referred to in later texts as a taotie. This enigmatic image (seen repeatedly on vessels in the adjacent cases) is not identifiable as any one beast but appears to be a composite of creatures both real and imagined, with two stark eyes, horns, ears, and fangs. During the late Shang period (14th–11th century BCE), animal-shaped vessels began to be cast, perhaps in response to zoomorphic bronzes introduced from southern China. The guang wine vessel displayed here is a magnificent example — it cleverly incorporates a tiger at the front of the vessel and an owl at the back handle; the animals’ heads are represented on the lid and their more subtly rendered bodies are on the vessel.

Identification and Creation

Object Number
1943.52.18
Title
Dagger, Ordos Type
Classification
Weapons and Ammunition
Work Type
dagger
Date
14th-11th century BCE
Places
Creation Place: East Asia, China
Period
Shang dynasty (c. 1600-c. 1050 BCE) to Western Zhou period (c. 1050-771 BCE)
Culture
Chinese
Persistent Link
https://hvrd.art/o/204619

Location

Location
Level 1, Room 1740, Early Chinese Art, Arts of Ancient China from the Neolithic to the Bronze Age
View this object's location on our interactive map

Physical Descriptions

Medium
Bronze with turquoise inlay
Technique
Inlaid
Dimensions
L. 35.5 x W. 7.7 x Thickness 1.3 cm (14 x 3 1/16 x 1/2 in.)

Provenance

Recorded Ownership History
Grenville L. Winthrop, New York (by 1943), bequest; to Fogg Art Museum, 1943.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Grenville L. Winthrop
Accession Year
1943
Object Number
1943.52.18
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS.

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Exhibition History

  • S427: Ancient Chinese Bronzes and Jades, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 10/20/1985 - 04/30/2008
  • 32Q: 1740 Early China I, Harvard Art Museums, 11/16/2014 - 01/01/2050

Subjects and Contexts

  • Google Art Project

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu