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A brown cast bronze vessel with gold and turquoise inlay. The body is round with a small neck and flat lid. The left and right have small rings attached. The entire piece is inscribed with a detailed geometric, swirling pattern.

A brown cast bronze vessel with gold and turquoise inlay stands upright on a grey background. The body is round with a narrow foot, small neck, and flat lid. The lid has three visible circle pieces that stand straight up. The left and right have small rings attached. The entire piece is inscribed with a detailed geometric, swirling pattern. Large triangle shapes are along the bottom-center and top. Square shapes are along the top-center.

Gallery Text

As its name implies, the Warring States period (475–221 BCE) was an era during which various states that were ruled by powerful clans competed for supremacy in China. The high demand for luxury goods to furnish the tombs of wealthy nobles enabled numerous artistic traditions to flourish, resulting in an array of ornate artifacts from this period and the subsequent Han dynasty (206 BCE–220 CE). Bronze vessels continued to be commissioned by the ruling elite during both eras, but the addition of gold and intricate openwork designs (here seen on the gilt bronze pedestaled dou and the small openwork pou vessels) transformed this previously austere tradition into a more decorative artistic craft. Jade containers made in shapes traditionally used for bronze or lacquer vessels (such as the three exhibited here) were the epitome of ostentation, as there was no better way to demonstrate wealth than to reproduce a luxury item in a more expensive medium.

Identification and Creation

Object Number
1943.52.117
Title
Covered Decagonal 'Hu' Wine Vessel with Bird Decor and with Two 'Taotie'-Mask Ring Handles
Classification
Vessels
Work Type
vessel
Date
5th-3rd century BCE
Places
Creation Place: East Asia, China
Period
Zhou dynasty, Warring States period, 475-221 BCE
Culture
Chinese
Persistent Link
https://hvrd.art/o/204130

Location

Location
Level 1, Room 1600, Early Chinese Art, Arts of Ancient China from the Bronze Age to the Golden Age
View this object's location on our interactive map

Physical Descriptions

Medium
Cast bronze with gold and turquoise inlay
Technique
Inlaid
Dimensions
H. 30.3 x W. 22.6 x Diam. 20.8 cm (11 15/16 x 8 7/8 x 8 3/16 in.)

Provenance

Recorded Ownership History
Grenville L. Winthrop, New York (by 1943), bequest; to Fogg Art Museum, 1943.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Grenville L. Winthrop
Accession Year
1943
Object Number
1943.52.117
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS.

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Publication History

  • Dorothy W. Gillerman, ed., Grenville L. Winthrop: Retrospective for a Collector, exh. cat., Fogg Art Museum (Cambridge, 1969), no. 039, pp. 38-39
  • Chen Mengjia, Yin Zhou qingtongqi fenlei tulu (A corpus of Chinese bronzes in American Collections), Kyuko Shoin (Tokyo, Japan, 1977), A 731
  • Jenny So, Eastern Zhou Ritual Bronzes from the Arthur M. Sackler Collections, Arthur M. Sackler Foundation (New York, NY, 1995), p. 262, Fig. 45.2

Exhibition History

  • S427: Ancient Chinese Bronzes and Jades, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 10/20/1985 - 04/30/2008
  • Re-View: S228-230 Arts of Asia, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 05/31/2008 - 06/01/2013
  • 32Q: 1600 Early China II, Harvard Art Museums, 11/16/2014 - 01/01/2050

Subjects and Contexts

  • Google Art Project

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu